Sony FX9 Cinema Line (Full Frame)
Variable ND, S-Cinetone, slog3. 16 bit raw option
Internal: 4K UHD or DCI 10bit 1-60fps
HD (1920 x 1080) 1-180fps,
Dual base ISO: 800, 4000
TC/Genlock
External Recorder: 
16bit 4K raw 1-120fps

Sony FX3 Cinema Line (Full Frame)
Variable ND, S-Cinetone, slog3. 16 bit raw option

Sony FS5 (includes HFR, HDR and raw upgrade) (APS-C)
Variable ND, slog2, slog3.
Internal: 4K UHD 8bit
HD 10bit @1-120fps
External with Odyssey 7Q+ Recorder: 
12bit Cinema DNG:4K raw or 2K raw
10bit ProRes HQ: raw to 4K DCI, 4K UHD, 2K DCI or HD, Avid DNxHD
Slow motion raw:2K @240fps continuous and 4K @60fps continuous to 120fps burst (6s)

Nikon D800, Z7 (Time-lapse)
16bit 8K/4K timelapse recording.
8bit 4K 24, 25, 50fps, 8 bit, 12 stops of dynamic range.

GoPro Fusion (360 VR)
8bit 5.2K @ 25fps, 60Mbps

Mavic 3 Classic (24mm equiv)
10bit 5K/50fps, 200Mbps
DCI 4K 120fps
HD 200fps
20MP stills

Mini4Pro (sub 250g) (24mm equiv)
10bit 150Mbps
UHD 4K 100fps,
HD 200fps
12/48MP stills

LENSES FF (APS-C) (S16-2K)

Sony FE 24mm f1.4 G Master Lens (35) (50)
Sony FE 35mm f1.4 G Master Lens (50) (85)
Sony FE 50mm f1.4 G Master Lens (75) (125)
Sony FE 90mm f2.8 macro G Lens (135) (235)
Nikon 24mm f1.4 G (35) (60)
Nikon 50mm f1.4 G (75) (125)
Nikon 50mm f1.2 AI (75) (125)
Nikon 85mm f1.4 G (125) (210)
Nikon 105mm f2.8 G VR macro (150) (260)
Nikon 135mm f2 D AF DC (200) (340)
Nikon 14-24mm f2.8G (24-35) (35-60)
Nikon 24-70mm f2.8G ED (35-105) (60-175)
Tamron 500m f8 Mirror (750) (1250)
Sony (24-300mm) (45-500) F3.5-6.3 OSS (Power Zoom Lens)
Sony (35mm) APSC f/1.8 OSS
Schneider Kreuznach WA Cinelux 2x Anamorphic
SLR Magic Anamorphot Compact 1.33x 40

VIDEO RECORDERS
Odyssey 7Q+
7.7″ OLED, 1280×800. x4 512GB drives. 3D LUTS. Timecode I/O
Raw support for Sony FS5, FS700, FS7, Arri Alexa, Canon C500, Canon C300 mk2, IO indicam, Panasonic Varicam LT.
Raw: 4k ProRes HQ, 4KtoHD 10bit ProRes HQ, 2K raw to 240fps continuous, 4K raw to 60fps continuous, 120fps burst, Two camera simultaneous HD prores HQ record synched for immediate multi cam edit.
Apollo: Up to x4 HD cameras simultaneous monitor and record.
Titan: x3 HD streams from single 4k raw input.

Hollyland MARS 400S PRO transmitter/receiver for remote monitoring/HD recording.
Atomos Shinobi 5″ monitor + PROAIM Director’s Monitor Cage

GRIP
Hague K12 Multi Jib (0-4m) with Pro Remote Pan & optional Tilt Power Head
DJI RS3 Pro – gimbal
Glidecam Devin Graham 
Straight track and dolly (4m plus)
Miller Compass 15 Fluid Head
Miller DS10 Fluid Head
Miller Solo Tripod
Vinten Single Stage ENG 75mm Bowl Aluminium Pozi-Loc Tripod
Induro Dual Range Hi-Hat LFB75
CineGears Single Axis Wireless Follow Focus kit (x2)
Manual Superior Follow Focus, shoulder mount, handle grips.

LIGHTING
x1  Aputure – 300X AC and v-lock battery option,
x1  Aputure – 300D v2 AC and v-lock battery option,
x1  Aputure – 60X AC and v-lock battery option,
x1 Nanlit Forza 60B, AC and v-lock battery option
plus light modifiers: softbox, fresnel 2x, snoot, beauty dish, ring light etc
x2 Limelite Mosaic light panel, AC and v-lock battery option.
x1 Rotolight Neo II
Bespoke lighting rigs
Coloured gels
x6 stands
x1 boom arm/grip
x4 micro stands

AUDIO
Sound Devices Mix Pre-6 II
Zoom F8n Field Recorder
Zoom F2-BT Field Recorder
Sennheiser 8060 Shotgun Mic
Sennheiser ME66/K6 Shotgun Mic
x1 Sennheiser G4 + MK2 radio mic
x3 Sennheiser G3 + ME2 radio mics
4m Carbon Fibre boom pole + stand
Bumblebee Windkiller Fur Windshield
Orca bag

DIT
8TB My Book Pro thunderbolt 2 hard drive (2 TB SSD option)
Dual Bay thunderbolt Storage Dock
MacBook Pro
iMac 5k

MISC
Camrade FX9 Rain Cover
Ewa-Marine Underwater Housing (FS5)
Kata FS5 Rain Cover
iPad Pro
+ apps: MovieSlate, Teleprompt+, Shotlist, ScriptsPro, Callsheet
x2 Manual clapperboards
Smoke Machine